SciFridays: “Grave Encounters” (2011)

Baddie – Reality television. Ooooooooh. Lesson – Film crews always get the short stick. Always. I’ll be the first one to admit that the movies I pick for this blog tend to be ‘creature’ flicks. Okay, almost always. The closest I’ve gotten to a haunt is American Horror Story. So here we go, a ghost story. So…

Single Malt Movies: Star Trek Into Darkness

So, Star Trek: Into Darkness came out last week, which was a very exciting time for me.  The opening sequence of its time-twisting prequel, Star Trek (2009), gets me a little teary every time I see it.  Watching the premiere in 3D IMAX helped, too.  As a hardcore TOS fan who happened to thoroughly enjoy the first movie,…

Second Breakfast Special: It’s Arrested Development

And now the story of a band of college-age film critics without an audience, and the one college-age film critic who had no choice but to give them one, however limited. It’s Rooster Illusion. Arrested Development, Season 4 (2013) In 2003, America was finally introduced to a sit-com about a wealthy dysfunctional white American family,…

Strange Bacon Satuday: Inglourious Basterds

To the disdain and often irritation of many professional filmmakers, Quentin Tarantino continues to produce numerous outstanding films within a short period of time; some of the latest of which have been his re-written history series. These professionals watch, ashamedly, as their hard works are passed in favor of Tarantino’s for awards, and Quentin continues…

SciFridays: “Demonic” (2005)

Baddie – Apathy Lesson – I don’t know. This movie is better than Ambien. Sorry I’m late. I’m on vacation, sortof. One of the perks of this job is, since I don’t get paid, I write reviews whenever I WANT, son. And by that I mean promptly for Fridays unless I get distracted.  This movie…

Single Malt Movies: The Great Gatsby

The (sort of) much anticipated The Great Gatsby came out last Friday.  This is Baz Luhrmann’s first feature-length film since Australia (2008), so I wasn’t quite sure what to expect.  Luhrmann’s last three big films — Australia, Moulin Rouge!, and Romeo + Juliet — were all aesthetically pleasing and had some lovely music, so I went on to expect nothing…